Art Politics and Society
1) Understanding the Present
Manuel Castells, La era de la información (3 vols) (1996-8)
http://manovich.net/
Thomas Friedman, El lexus y el olivo (1999)
http://es.wikipedia.org/wiki/Thomas_Friedman
Michael Hardt and Antoni Negri, Empire (2000)
http://www.universidadnomada.net/spip.php?article374
Giorgio Agamben, Homo Sacer (1995 and State of Exception (2003)
Retort, Afflicted Powers: Capital and Spectacle in a New Age of War (2005)
David Harvey, A Brief History of Neoliberalism (2005)
Slavoj Zizek, Living in the End Times (2010)
Wolfgang Streeck, “The Crises of Democratic Capitalism”, New Left Review, 71 (Sept-Oct 2011)
Paul Mason, Why It’s Kicking Off Everywhere: The New Global Revolutions (2012)
Manuel Castells, Networks of Outrage and Hope: Social Movements in the Internet Age (2012)
2) The Art Market
Pierre Bourdieu, Distinction
http://fr.wikipedia.org/wiki/
Julian Stallabrass, Contemporary Art: A Short Introduction
Don Thompson, The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art
Sara Thornton, Seven Days in the Art World
Noah Horowitz, Art of the Deal: Contemporary Art in a Global Financial Market
Isabelle Graw, High Price: Art Between the Market and Celebrity Culture
Olav Velthuis, Imaginary Economics
Dave Hickey, Air Guitar
Arthur C, Danto “The Art World”, Journal of Philosophy 61 (1964)
Boris Groys, Art Power
http://www.tartumuliseb.net/ Art_Power_Boris_Groys.pdf
https://www.frieze.com/issue/ article/art_power/
3) The Social Turn
Claire Bishop, Artificial Hells: Participatory Art and the Politics of Spectatorship
Claire Bishop ed. Participation
Pablo Helguera, Education for a Socially Engaged Art
Nicolas Bourriaud, Relational Aesthetics
Miwon Kwon, One Place After Another: Site-Specific Art and Locational Identity
Nato Thompson, Living as Form: Socially Engaged Art from 1991-2011
Shannon Jackson, Social Works: Performing Art, Supporting Publics
Grant Kester, The One and the Many: Contemporary Collaborative Art in a Global
Context
Grant Kester, Conversation Pieces
Gregory Sholette, Dark Matter: Art and Politics in the Age of Enterprise Culture
3) The Social Turn
Claire Bishop, Artificial Hells: Participatory Art and the Politics of Spectatorship
Claire Bishop ed. Participation
Pablo Helguera, Education for a Socially Engaged Art
Nicolas Bourriaud, Relational Aesthetics
Miwon Kwon, One Place After Another: Site-Specific Art and Locational Identity
Nato Thompson, Living as Form: Socially Engaged Art from 1991-2011
Shannon Jackson, Social Works: Performing Art, Supporting Publics
Grant Kester, The One and the Many: Contemporary Collaborative Art in a Global
Context
Grant Kester, Conversation Pieces
Gregory Sholette, Dark Matter: Art and Politics in the Age of Enterprise Culture
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